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Tag Archives: Love Story

The Lopsided Love Story of Mister G. and Mister D., Part 2: The Trip

02 Wednesday Jul 2014

Posted by herr dennehy in experiences, music, What is STORY?

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David Gray, drama, Love Story, musical infatuation, Mutineers, Nightblindness, Please Forgive Me, Sail Away, Storytelling, true story, Truth, Warner Bros, White Ladder

“A part of me pre
A part of me post
A part of me present
One part of me ghost
A part of me wants to run.”

David Gray, “As The Crow Flies” (2014)

 

This is the story about pre me getting to know Mister G.:

It was sometime in the autumn of 1999, probably a rainy day, as autumn days tend to be. I was hanging around record stores with my friend and flat mate Martin, as so often in those days. In one of the more major-label stores in town, I literally (true story!) tripped over a massive Warner Bros. promotion stand advertising “White Ladder” (which is interesting, as the album was never really released with Warner Bros., but on David’s own label “IHT Records” under license to Warner Music UK Ltd., but probably IHT wouldn’t have had a stand in that record store, so there you go).

Anyway. I don’t know how or why, but somehow I felt, simply by looking at the cover, that I was standing in front of something different, something special, something that didn’t quite fit into this mainstream record store’s usual repertoire. I stepped a little closer, reached out for one of the CD’s that had fallen to the ground …

And then …

…All surrounding ambient sound faded. The atmosphere  became eerie, lights dimmed. A distant voice whispered into my ear “This record will change your life!”. It was like I had jumped the tracks of time and space. Fog coming from where the record store’s loudspeakers were, a very mystical Galadriel moment …

And then …

Nothing. Little storyteller’s detour, freedom to exaggerate and put the subtext into perspective. 🙂 In real life, the store was boring and unmystically commercial, no ghosts of past-away singer-songwriter gods around directing me to my new love. I guess…

But I did indeed reach for one of the CD’s I had knocked down off of their pedestal, looked at the simple, yet somehow secretive cover, flipped sides, struck by the design’s focus on content, i.e. songs. Only 10, perfect amount. 8 always too close to an EP, suggesting a lack of material, 12 still ok, but already on the verge of being too much to grasp an album at first listening. Turning the CD back around, there was (and still is, I’ve never taken it off) this sticker with a review quote from “The Times”, saying: “It’s a record that makes your life feel better by its mere existence.” To date, this remains the best compliment for any artistic work that I’ve ever read. And a knock-down argument for me to buy the CD. Which I did.

The mother of all CD cover stickers! You can even see my hand reaching out to climb the White Ladder. :)

The mother of all CD cover stickers! You can even still see the hand reaching out to climb the White Ladder. 🙂

Guess this is what you call love at first sight, like meeting a woman in a bar or the office, knowing: This is the one. The beginning.

What happened next: overzealous attempts to get to know this new lover better, discover his history like an archeologist, getting lost in endless hours of hot rotations. Putting flesh to the bones of my new passion at the end of a century, secretly hoping Mister G. would be mine, be mine, remain mine, that he wouldn’t sell, sell, sell (out).

White Ladders’ drum intro alone: a statement, a clear move from raw singer-songwriting (that we know from album 1-3) to courageous upbeat folk pop without the often attached cheesiness. Creating an immediate atmosphere of minor mood turning into major pleasure, a promise the album is able to keep right up to the last chord after 57:17 minutes (excluding UK bonus track “(I Can’t Get) Through to Myself” and US bonus track “Babylon II”).

If that doesn’t get to you, nothing will:

 

This is the official video incl. David’s congenial ex-drummer Craig McClune, always a sensationally entertaining counterpart to his boss whenever they performed together – and I must admit: I have been missing him ever since he split up with David in 2006!

It’s tough to even select favourite tunes from this perfect album, but if I had to (which I gladly don’t), I’d definitely go for:

I. “This Year’s Love” (in this amazing live version):

 

II. “Nightblindness”, e-very-specially in this just mind-blowing live version from the London Roundhouse, unfortunately only the audio on YouTube, so close your eyes and escape for 11:05 minutes, worth every second:

 

III. (of course!) “Sail Away”, a single that literally changed my life … the intro of this live version being my official “Honey Ringtone” ever since it was published on the “Draw the Line” Deluxe Edition:

 

END OF PART 2.

PART 3 will be exploring the power of a song with its own story to change mine at the probably most important crossroads of my life so far …

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The Lopsided Love Story of Mister G. and Mister D., Part 1: Prologue

30 Monday Jun 2014

Posted by herr dennehy in experiences, music, What is STORY?

≈ 2 Comments

Tags

David Gray, drama, Love Story, musical infatuation, Mutineers, Sail Away, true story, Truth, White Ladder

Mutineers … Mister G.’s new album. Took him five years! Worth the wait?

MutineersCovFinal_1400px

First of all, a rather appropriate title for this medium-late chapter in the love story of Mister G. and Mister D. (a story only the latter is aware of, naturally).

Why? Well, I was veeery close to becoming mutinous with this Englishman after his last couple of albums. Not that I hated them, not at all, but I also couldn’t quite come around to truly loving them either. Even after many intensive listening sessions, I was always left with this feeling of “not bad, but nothing special”. Granted, a tough task for any artist to continuously come up with “something special” or “something even better” than the previous, especially for David after his 1998 masterpiece “White Ladder” – one of those records I would put amongst the infamous three to take to a deserted island with me. (Note to myself: Nobody ever asks you how you would actually listen to that record on a deserted island … ah whatever.)

Ever since David chose to sing about a “Life in Slow Motion”, that’s also kind of what happened to my infatuation with his music: A slow-motion of drifting apart, again only noticed by the D. side of the relationship, I presume.

Then a good friend of mine forwards a Financial Times article to me, an interview with David Gray, about birds (with and without wings), and about his new album – I wasn’t even aware that there was a new album forthcoming, that’s how detached I had become, never happened before. The interview was also about mutining your life, throwing all that’s behind you over board, starting anew, in fresh waters, into fresh air, like the many birds on this great new record.

Even while reading the article, I opened my Spotify treasure chest, checking. There it was, only three tracks pre-released for streaming, the first single’s title “Back in the World”. Back in mine? Sure feels good, to shake the monkey off my back …

As the first chords resound: White Ladder feeling, at least justified hope. The initial lines go:

“Every day when I open my eyes now

It feels like a Saturday

Taking down from the shelf

All the parts of myself that I packed away.”

I was taken away on the spot, by the sound, the mood, the “Please forgive me”-like percussion, the lyrics, and the voice, of course, strong as ever.

 

The second track available was “Beautiful Agony”. Hell yeah, the beauty of melancholy! My hidden passion. David singing about

“Love vandalising me

With beautiful agony.”

Who doesn’t know what he’s talking about? And then this calm, non-vandalising melody, moving from mantra to story with a free fall into minor keys accompanying the lines “Once upon a time / It wasn’t like this / Love was mine / So what the hell / Is happening here?”.

The third track: “Gulls”. A meditative album ending (as the partly inactive 11-track list suggested), an end-is-the-beginning-like song. The narrator maybe standing on the edge of a windy cliff, watching gulls fly, independent, yet somehow belonging to their cries, and their cries belonging to the wind … and the wind?

David’s rendition of “You Gotta Serve Somebody”?

“I gave my breath to the song

To the song, wasn’t mine

Neither of ship not of sea

Neither of glass nor of wine.”

 

LOVE RELOADED, after 3 songs!

And oh, how I love this percolating impatience, to get more, to hear the rest. This instant move to an online retail store, clicking “pre-order now”, and then waiting … waiting … waiting. Waiting for and then finally receiving a parcel, a vintage, deluxe feeling in the age of “I want it now, I get it now!” Of course I ordered the deluxe edition, with tons of new live recording of old songs. Arrived yesterday, and now I’m listening my way through the remaining 8 tracks … Soccer World Cup my behind!

 

But how did this lopsided love story between Mister G. and Mister D. begin in the first place?

Let me recall “the early years” … in Part 2 of this mutineer’s anecdote.

… How stumbling in a record store turned out to be a very consequential trip.

… And why “Sail Away” is responsible for “This Year’s Love” turning into “This Life’s Love”.

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