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Tag Archives: target groups

11 Ingredients for a Successful Business Story

06 Sunday Apr 2014

Posted by Herr Dennehy in Storytrain, What is STORY?

≈ 1 Comment

Tags

authentic, Authenticity, brand journalism, brand storytelling, business storytelling, change, conversations, corporate storytelling, Don Quijote, expectation, hero, Human, listening, Storytelling, surprise, target groups, true story, Truth

Here are 11 ingredients that will get you to your successful business story.

It’s a lot of hard work, but it’s worth the effort. It needs determination, honesty, and courage. The willingness to introspect, listen, experiment, learn, and optimize based on what you learn.

These ingredients, or tips, don’t necessarily need to come in the below order, nor does it suffice to go through all of them just once, over and out, success here you come! There’s a lot of inevitable repetition in these efforts, a kind of “perpetuum mobile of business story”.

Here we go:

 

Listening1. It’s listening time, the age of attention and conversation. So: Listen to your audiences. Find out who they really are. What they really need, what they want. And where and how they want it.

 

Competition2. Observe your competition. Don’t be a “Me Two”. Be different. Be authentically you.

 

Big Story3. You can only be you, if you know who you are. So: Find your big story, your identity, your character, your DNA. Again, this can only be achieved by listening. To yourself, your own organization from top bottom, left to right. To your audiences (or target groups, as you might call them). See where the delta is, where it matches, where it doesn’t. And somewhere amidst that cacophony of data: there’s your big story. Once you find it: stick to it!

 

Small Stories4. Continuously search for all the stories within and without your organization that fill your big story with proof and bring it to life – credibly and authentically, verifiably and true. No matter how small or irrelevant they may seem: They are the only currency you have that differentiates you from your competition. Messages, Brand Ambitions, Visions, and all those bullshit-bingo Whatchmacallits are interchangeable, just hot air, written by expensive agencies to make you feel special. What truly makes you special are your stories, and your people or the people who make up your target audiences, for they are your stories’ heroes. And nobody else!

 

Formula5. Become Sinatra, find your way, and then do it your way. If you believe in your idea’s brilliance and capability to tell all your stories great and small, the stories that in the end all make your big story, the accuracy of fit to your character, then go for it! Always follow The STORYCODEX of Expectation, Surprise and Change … and eliminate the taste factor. Nothing worse than management killing an idea just because they can. Because they have a position within your hierarchy that demands of you to ignore or tolerate that they don’t have a bloody clue what they’re talking about. Oh and: If these grey-suited folks demand of you to make their product the hero, remind them of the Ninth Commandment, the one about lying and false witness. A product can NEVER be a hero, and thou shalt never attempt to do so, thou will fail!

 

Pilot6. If your idea, your concept is truly brilliant, unique, something different, maybe even a little crazy: There’ll be armies of Bedenkenträger in their trenches, armed with “Buts” and “We’ve never done this before’s”. This should encourage you, not the opposite: You’re probably on the right track. To get past the army of doubters, call your project a “pilot”. Management feels comfortable with pilots, has a finite touch, limited risk and all that crap.

 

Windmills7. Once your pilot’s taken off, make no casualties, no compromises. Be resilient and consequent. The windmills of doubt and Schadenfreude will be blowing into your face from all directions. Don’t let them stop you. And find yourself a trustful companion who will stick by your side, even if one or the other of the journey’s adventures turns out to be a failure or at least different than expected. If this companion is also willing and able to tell your story and stories, a good and true storyteller, who doesn’t necessarily need to be an experts in your field of business, all the better. He (or she) just needs to understand you and be able to translate your management brand identity mission-vision-value-proposition messaging bullshit into stories somebody actually wants to hear.

 

Jacko8. Even if you’re out (or in) there alone, all by yourself: Be consistent, stick to who you are, what you believe in. Work on your own little moonwalk and surprise audiences and critiques, leave them awestruck.

 

Measure9. How do you convince critiques and Benkenträger, prove them wrong? Right: through hard facts and figures they can’t neglect or deny. Seriously, anything procurement sharks, engineers or sales guys trust more than numbers on a paper or screen or power point? So give em what they want: Develop objective KPI’s, measure every customer’s every movement and interaction with your story, present the results in a comprehensible and comprehensive way, and then: Poke your tongue at them, or – if the figures suggest so – have the guts to admit they were right, and it didn’t work.

 

Trust10. All along the way, every second of your adventure of finding yourself, understanding your competitors and your audience(s), finding all your stories great and small, finding your formula, pulling it through and sticking to your idea like Jacko to white socks … make sure you do it with someone you trust. Someone on your wavelength, with the same vision, as well as balls and management position to back you up when the FBI is up your fundament to shut your business down.

 

Invest11. Last, but oh so very not least: Every truly unique, innovative and successful business story needs … investment. Not only of money, although it needs a lot of that also, make no mistake; investment in the stories themselves, of course, but also for the stories’ marketing, as nobody is really waiting for your corporate story! But you mainly need to invest a looooot of time, and need to give your story project time to grow, like a tree: from seed to graft to full-grown plant. In a nutshell: You need Herzblut: belief, commitment, passion, and stamina.

Good luck!

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Markets are Conversations are Storytelling

21 Saturday Dec 2013

Posted by Herr Dennehy in Ideas

≈ 2 Comments

Tags

Christopher Locke, cluetrain, conversations, David Weinberger., Doc Searls, markets, Rick Levine, social media, social web, Storytelling, target groups

It’s already a couple of years ago that I was taking my kids to the „Deutsches Museum“ in Munich, Germany. Of course, the attraction for little girls is less the impressive planes or ships, let alone any technical innovations of the past or present. The burner: The interactive technology experience playground down in the basement. After hours of deafening children’s screeching and soaking wet from these lovely water games, I announced: “Now it’s time for some REAL culture!” taking them up to a special exhibition about life in the 1950’s.

Old cars, vespas, vacuum cleaners and washing machines, strange dresses and shoes and sun glasses … all nice, my girls giggling, me becoming Mr. Nostalgia. BUT the following scene from that day is what made this exhibition so rememberable for me: A roughly 12-year-old boy standing on front of this ancient TV screen, massive with a greenish screen and classic wooden shells, when I overheard the following dialogue:
Boy: “Wow, they surfed the Internet with these things?”
Mother: “That’s a TV, back then, there was no Internet.”
Boy: “What do you mean: There was no Internet???”

Interesting. A generation that was born when the Internet was already mainstream standard. A generation that can’t remember having to walk to distant telephone boxes in the freezing cold to speak to your girlfriend, back then when there was no Skype, no What’s App, no Facebook or phone flats. Only 20 years ago. A generation that was born just before the 2001 .com bubble crash, around the time when four fare-sighted guys /Rick Levine, Christopher Locke, Doc Searls, and David Weinberger) from the U.S. hammered their 95 commandments to a digital wall named www.cluetrain.com.

cluetrain.com

What this has to do with storytelling? Everything. Let me mark out just a couple of Cluetrain theses which I believe significantly direct business humans working in and for corporations and especially in marketing and communication departments in the right cardinal point, directly to the power and inevitability of story in the social web age:

“Markets are conversations.” (Thesis 1)
The boiled-down essence of The Cluetrain. Meaning: “Markets consist of human beings, not demographic sectors.” (Thesis 2) Meaning: Target groups, clients, users, readers, viewers are humans. Not some alien, abstract mass of lemmings waiting for a message to follow. And these markets (or humans) are constantly engaged in conversations, with each other, with other corporations – and conversations are meta level of stories, or vice versa: stories are the molecules of conversations.

“People recognize each other as such from the sound of this voice.” (Thesis 5)
If that is so – and it is –, then corporations can’t talk, can’t tell stories, can comment, can’t post, chat, respond or share information, only their employees can. And no products, no solutions, no services, no companies can be heroes, only people can – and in the sharing web that finally really helps Kant’s Aufklärung blossom, corporate fake will be unmasked in the tweet of an eye. And “as a result, markets are getting smarter, more informed, more organized. Participation in a networked market changes people fundamentally.” (Thesis 10)

“A powerful global conversation has begun. Through the Internet, people are discovering and inventing new ways to share relevant knowledge with blinding speed. As a direct result, markets are getting smarter—and getting smarter faster than most companies.” (Thesis 75)
There’s nothing to add here, they wrote this in 1999, and look at many companies, especially in the B2B area: They’re still lagging behind on the smartness front like ever before.

Last but not least, the bulls-eye thesis for the importance of storytelling in the technically interconnected world:
“If you want us to talk to you, tell us something. Make it something interesting for a change.” (Thesis 75)

And this “something interesting” is an interesting, relevant, credible, authentic, true story.

And what IS a real, true story? And what ISN’T?

The story goes on … here … soon.

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